Shaping Sound: Sasha Court’s Ceramics as Echoes of the Soul
In a world often fixated on efficiency and measurable outcomes, Sasha Court’s artistic journey is a reminder of the profound impact of following one’s creative instincts. As the featured artist for Twelve Objects’ inaugural collection, Sasha invited us into her studio—and her world—to discuss her abstract ceramic series, Like a Song. What followed was an inspiring conversation about transformation, courage, and the symphony of life that shapes her work.
Twelve Objects (TO): Sasha, Like a Song is such an evocative name for a collection. What inspired this theme?
Sasha Court (SC): For me, the creative process is a sensory symphony. I don’t just see shapes; I hear them. When I’m working, the curves, drips, and transitions feel like musical notes. There are low, resonant tones in the foundation of a piece, mid-tones in the subtle textures, and these high, bright moments—like a fluorescent pink drip—that act as the “ting” tying it all together. It’s as if I’m composing a song in clay.
TO: That’s such a poetic way to approach ceramics. How does that musicality manifest in specific pieces within the collection?
SC: Each piece in this collection is a tribute to the music that has profoundly shaped me—songs and albums that resonated with my soul at critical moments. I named each piece after a transformative record or track that helped me find my voice. The women behind these songs expressed themselves so unapologetically, and that bravery gave me the permission I needed to embrace my own authenticity.
TO: It’s inspiring to see how music and self-expression are intertwined in your art. Can you share more about your personal journey that led to this creative chapter in your life?
SC: It’s been a winding road. I spent nearly two decades in the tech industry, chasing success and security. But after a life-altering event, I realized how unfulfilled I was. I began exploring my creative side—something I’d buried for years—and I was stunned to find not just an artist within me, but also a poet and a philosopher. It was as if I’d been carrying this unexpressed self all along, just waiting for the right moment to emerge.
TO: That’s such a profound pivot. How did this transformation influence the way you approach your work?
SC: It’s been revolutionary. I used to be consumed by fear—always striving for control, safety, and material success. Letting go of that mindset changed everything. Now, I trust the creative process. I’m okay with uncertainty, and I create from a place of peace, harmony, and love. My work is a mirror of this internal shift. It’s full of freedom and joy because that’s the space I’m working from now.
TO: That evolution is so powerful. Looking ahead, what excites you most about where your artistic path is taking you?
SC: I’m excited to keep pushing boundaries, both in my art and in myself. There’s so much more to explore. My goal is to stay true to my vision—not chasing trends or approval, but creating from a place of authenticity. As long as I’m creating with joy and curiosity, I know I’ll keep discovering new layers of expression.
TO: You’ve spoken a lot about authenticity and bravery. What do you hope people feel when they encounter your work?
SC: I hope my pieces remind people of the beauty of imperfection and the power of vulnerability. My work is a celebration of being unapologetically yourself, and I hope that energy resonates with anyone who interacts with it.